“A Double Act: Immaculate Conception by No Collective” | Brooklyn Rail

IMMACULATECONCEPTION

A very nice review of Immaculate Conception we did earlier this year with ensemble mise-en has been published on Brooklyn Rail. It’s entitled “A Double Act” and was written by Cody Eichman. It contextualizes our efforts in the history of theatre and its discontents, including John Cage’s adoption of the term which placed it in a dialectical tension with the domain of “music.”

It starts like this: “I once heard a performance-studies scholar explain the difference between performance art and theater as that between presentation and representation. She was wrong. For the essence of theater lies not in representation, but in the duality between presentation and representation, as well as in the indeterminacy infiltrating this dichotomy. A play takes place in between action and act—and, as Gregory Bateson observed, the line separating one from the other always remains vague. Theater plays with this double identity (performance art often pretends it doesn’t exist).”

http://brooklynrail.org/2016/09/music/immaculate-conception-by-no-collective